海外直订Creative Composites: Modernism, Race, and the Stieglitz Circle Volume 4 创造性的复合材料:现代主义，种族，和Sti... mobi 下载 fb2 夸克云 azw3 网盘 pdf pmlz

In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O'Keeffe. Creative Composites argues for a new understanding of early American modernism as a "composite modernism". It analyzes episodes in the Stieglitz circle's use of diverse new media - photography, caricature, film, and collage - to frame their modernist practice as part of the ongoing national dilemma of integrating difference.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：海外直订Creative Composites: Modernism, Race, and the Stieglitz Circle Volume 4 创造性的复合材料:现代主义，种族，和Sti...在线阅读

在线听书地址：海外直订Creative Composites: Modernism, Race, and the Stieglitz Circle Volume 4 创造性的复合材料:现代主义，种族，和Sti...在线收听

在线购买地址：海外直订Creative Composites: Modernism, Race, and the Stieglitz Circle Volume 4 创造性的复合材料:现代主义，种族，和Sti...在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O'Keeffe. Creative Composites argues for a new understanding of early American modernism as a "composite modernism". It analyzes episodes in the Stieglitz circle's use of diverse new media - photography, caricature, film, and collage - to frame their modernist practice as part of the ongoing national dilemma of integrating difference.